Yes. In the 19th century there were debates over beauty and nature, specifically there was a dispute between Darwin and Wallace about whether evolution could account for natural beauty. Wallace (the co-discoverer of evolution) thought natural beauty signaled something more vital and valuable than can be seen as a by-product of natural selection and adaption. The 19th century also held (or Kant and Hegel did) that natural objects (unlike works of art) lacked an "aboutness"; Constable's painting of a storm might be about the transience of life, whereas the storm itself does not bear out such meaning. Lots of other debates on aesthetics and nature were initiated that are still with us (the difference between beauty and the sublime). Probably the most lively current exchange among philosophers that bears on your experience concerns the extent to which one needs to know ecology (or the relevant natural sciences) to deeply (or more deeply) appreciate the natural world. Would your experience of a valley or lake or mountain range be enhanced if you know the evolutionary history behind such formations? Some believe that such ecology is unnecessary (you can have as deep an awe in the Grand Canyon without background knowledge), but it is tempting to think you can't really delight in what you don't know (though you may delight in mystery).
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I was just looking out my window to admire the loveliness of the mountains and trees. It makes me think does the natural world conform to any known aesthetic principles of color, balance, texture, harmony, etc? Or is nature lovely for more mysterious reasons? And supposing it did conform to aesthetic principles are those principles actually derived from nature?...For instance the colors white and blue often go together well and I wonder if this is a good combination because it reminds one of the sky or if the sky just happens to use a good color scheme of blue and white. I am thinking right now, how before a storm, the clouds turn an ominous black, and that does seem awfully symbolic (and aesthetically logical) to my primitive and pre-philosophical mind. It makes me wander if there are other less obvious things like this that I haven't noticed or I don't have the artistic sophistication to see. Have any 19th century romantic philosophers (or any other philosphers for that matter) had anything interesting to say on the aesthetics of nature?