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What is the connection, if there is any, between enjoyment of art and the

What is the connection, if there is any, between enjoyment of art and the judgment of its aesthetic merit?

In many cases enjoyment and positive judgment go hand in hand. But enjoyment and positive evaluation can come apart in a number of ways. Some works of art do not seem to be designed to be enjoyed. Consider works of art that might be characterized as ‘difficult’ (e.g., some paintings of horrific scenes, certain movies about tragic events, novels that investigate evil, some contemporary political art, works of music such as Threnody for the Victims of Hiroshima). It seems perfectly plausible that in some such cases we may judge these works to be valuable while not enjoying our interaction with them. There are, after all, a whole range of activities and experiences that we may judge to have value irrespective of whether they provide enjoyment (e.g., voting, helping those in need, writing lecture notes, etc.). Another sort of case stems from the possibility that we may be incapable--for some personal reason--from enjoying a work of art that we judge to be good. We all experience such blocks sometimes. Well, I do. I’m tired at the opera, or the play reminds me too much of something I’d rather not think about, or the music was written by someone I don’t like, or the novel is just too darn difficult for me given my limited powers of concentration these days. And so on. I might judge the opera/play/song/novel as good, but I just can’t enjoy it. Things can pull apart in the other direction too. A person may enjoy some works of art that he or she doesn’t judge to be of much worth. One way this can happen is if we recognize that our enjoyment depends on some idiosyncratic feature of our relationship to the work of art. I might enjoy a movie because it is about the toughest philosopher in the world (or about philosophy graduate student vampires) but recognize that this isn’t really a reasonable basis for judging the movie to have much value.

That being said, it seems to me that the fact that we enjoy a work of art is often one of the most important reasons that we judge it to be good. And it’s not unreasonable to take the fact that you enjoy something to be at least some reason to think that it is good. Moreover, we often enjoy what we take to be good—that is, we enjoy it because it is (judged to be) good. So the two notions are not completely unrelated.

How should we view architects and their work? If we think of buildings as purely

How should we view architects and their work? If we think of buildings as purely functional, then we seem to be thinking of architects as means to ends only, forgetting their concern for aesthetics. Conversely, if we see buildings purely as aesthetic objects, we are underplaying the technical - scientific - expertise of architects. Is there a middle ground of judgement here?

I’dlike to add a few points to Roger’s very reasonable remarks. First, thefact that works of architecture can be seen both functionally (i.e., interms of broadly utilitarian purposes) and aesthetically does notdistinguish them from many other works of art. Consider stained glasswindows, Native American pottery, woven rugs, masks used in tribalrituals, etudes—all of these may have both functional and aestheticpurposes. You might also consider artworks that are designed to promote political or ethical change. It might be thought that what is distinctive about architecture is that it is essentially functional. Is it the case that it is not possible for something to be a work of architecture unless it has a utilitarian function? This is tricky, but I would be hesitant to say yes. (Consider architectural follies.) Second, I wouldn’t put too much weight on the idea of an aesthetic object. Works of art may do a range of thing: represent, express emotion, express a view of the world, exhibit form, etc. They may also provide aesthetic experiences (or experiences of beauty), but this does not seem necessary for art status. Hence, a work of architecture may succeed artistically without being an aesthetic object or serving strictly aesthetic purposes. Third,even if a building only served utilitarian functions it wouldn’t followthat we would or should treat its designer as merely a means to someend. (Of course a building that only had utilitarian function might not count as a work of architecture.)